Ranard links the traditional roots of Burmese painting in India with later influences from China, Thailand, Britain, Northern Europe, and America. Burma is an isolated country, but its art has been a major wellspring of inspiration in Southeast Asia. Today, the country struggles to reconcile complex pressures, and Ranard digs deeply to uncover these layers of conflict as reflected in Burmese painting.' —excerpt from front flap
Includes bibliography and encyclopedic index of Burmese painters.
Onsite
English
painting,  art history,  modernism,  Myanmar (Burma)
2009
368
9789749511763
1
monograph
1. Wall Paintings and Parabaik: 800 Years of Tradition
2. The Early Modern Period: The Fall and Rise of the Court Painters
3. Early Pioneers of the Western School: British and Burmese
4. The Grand Confluence: Traditional Painting Meets the West
5. Mood and Methodology: Genesis of the Rangoon School
6. The Early Mandalay School: The Core Group
7. The Early Rangoon School: The Torch-Bearers
8. The Post-War Mandalay School: The Peripheral Group
9. The Rangoon School in the Post-War Period: Status Quo and a Traditional Revival
10. The Modernist Movement: The Mandalay Resurgence
11. The Modernist Movement: The Outsiders
12. Discovering the Burmese Galapagos: The 1990s
13. Fin de Siècle and Beyond
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