In this digital landscape, the archival-oriented media theories of Wolfgang Ernst are particularly relevant. Digital Memory and the Archive, the first English-language collection of the German media theorist’s work, brings together essays that present Ernst’s controversial materialist approach to media theory and history. His insights are central to the emerging field of media archaeology, which uncovers the role of specific technologies and mechanisms, rather than content, in shaping contemporary culture and society.
Ernst’s interrelated ideas on the archive, machine time and microtemporality, and the new regimes of memory offer a new perspective on both current digital culture and the infrastructure of media historical knowledge. For Ernst, different forms of media systems—from library catalogs to sound recordings—have influenced the content and understanding of the archive and other institutions of memory. At the same time, digital archiving has become a contested site that is highly resistant to curation, thus complicating the creation and preservation of cultural memory and history.' - from publisher's website.
With an introduction by Jussi Parikka and an interview with Wolfgang Ernst by Geert Lovink. Includes bibliographical references and index.
Electronic Mediations
Onsite
English
cultural studies,  technology,  digital archive
2013
265
9780816677672
1
monograph
Media Archaeology as a Transatlantic Bridge
Part I: The Media-Archaeological Method
Let There Be Irony: Cultural History and Media Archaeology in Parallel Lines
Media Archaeography: Method and Machine versus the History and Narrative of Media
Part II: Temporality and the Multimedial Archive
Underway to the Dual System: Classical Archives and Digital Memory
Archives in Transition: Dynamic Media Memories
Between Real Time and Memory on Demand: Reflections on Television
Discontinuities: Does the Archive Become Metaphorical in Multimedia Space?
Part III: Microtemporal Media
Telling versus Counting: A Media-Archaeological Point of View
Distory: One Hundred Years of Electron Tubes, Media-Archaeologically Interpreted vis-a-vis One Hundred Years of Radio
Toward a Media Archaeology of Sonic Articulations
Experimenting with Media‐Temporality: Pythagoras, Hertz, Turing
Appendix: Archive Rumblings: An Interview with Wolfgang Ernst
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