'Eonni is Back' is the second incarnation of the annual 'Gyeonggi Art Project', an exhibition which addresses a socio-political and cultural issue of the Gyeonggi region. In this exhibition, 26 female artists depict the physical, psychological, and social experiences of women and make an issue of their history. Their works in the catalogue are grouped into the following four categories: Womad, Herstory, Sister Act and Femme Fatale. The artist Cho Duckhyun, a Korean artist of some international renown, was commissioned to create a 'meta-artwork' by reinterpreting the works of Rha Hyeseok and Yun Suknam from his 'male' point of view. Essays are in Korean, many of which are translated into English. Excerpts from artists' statements and previous reviews are included. Artists' biographies are provided.
('Eonni' translates into 'big sister', and the term is used by girls/women to address older girls/women.)
('Eonni' translates into 'big sister', and the term is used by girls/women to address older girls/women.)
Access level
Onsite
publisher
Location code
EX.KOR.EON
Language
English, 
Korean
Keyword
gender,  painting,  photography,  installation,  group exhibition
Publication/Creation date
2008
No of pages
165
ISBN / ISSN
Nil
No of copies
1
Content type
catalogue
Eonni is Back, 언니가 돌아왔다

What does this mean?
This item is covered by one or more copyrights. It is available for research only or use within Hong Kong’s fair dealing rules. Please do not copy, re-use or reproduce this item without the permission of the copyright holder.