From Words to Pictures: Art During the Emergency focuses on Singapore during the 1950s when many of the artworks were expressions of 'Malayan culture'. Although this exhibition looks at art in the fifties through examining two art societies, the Singapore Art Society and the Equator Art Society, their contrasts are not intended to be read it in a binary vein that neglects the complex traditions of representing the Nanyang, individual aesthetic expressions and various alignments of political and cultural interests. This exhibition attempts to map diverse ideas and constituencies with colliding and overlapping interests and values, united only by their common desire for political and cultural vibrancy through 'Malaya', a term which represented new political formations as well as cultural traditions.
Including plates for Equator Art Society.
Onsite
English, 
Chinese - Traditional
painting,  ink painting,  history,  cultural studies,  group exhibition,  artist association
2007
52
9789810588380
1
catalogue
Curator's Notes
Art and Ideology - The Singapore Art Society and the Malayan Emergency (1948-1960)
The Importance of Sketching in Art - Kuifang LAI, 賴桂方
Art and Life - Gaoshan HAN, 韓高山
Theme and Subject - Huihai GAO, 高慧海
On the Significance of Landscape Paintings - Miatee CHUA
What does this mean?
This item is covered by one or more copyrights. It is available for research only or use within Hong Kong’s fair dealing rules. Please do not copy, re-use or reproduce this item without the permission of the copyright holder.