Introduction

Art Works & Statements 2004-2012

Forum—Time Flowing into the Pacific from the Amur 2012

Mulling over the Social Role of the Korean Moving Image: Moving Images, Expecting the Images that Moves Society - CHOI Dooeun

How Films in the 21st Century Respond and Adapt to the Digital Era: Two Doors—a Transmedia Documentary - Soyoung KIM

Towards a Social Role for Korean Moving Image: a Proposal Towards a Political and Aesthetic Korean Alternative Visual Culture - KIM JANG Yeunho, 김장윤호

Digital Heterotopias: Historical 'Elsewhere' in Korean Video Art of the 2000s - SEO Hyunsuk, 서현석

Expansion of the Cognitive Sense in the Digital Era of the 21st Century - SUH Jinsuk, 서진석

Media Art in Korea: Issues and Counter-Issues - YU Jinsang, 유진상

FRAMES OF REFERENCE: Moving Image Arts in Australia - Alessio CAVALLARO

Digital Obesity: Public Greed for Moving Images - Ade DARMAWAN

The Moving Image as Incident of Disappearance - Patrick D. FLORES

State Ideology vs. The Rise of Small Narratives: Discourse of Moving Images in 21st Century Thailand - Gridthiya GAWEEWONG, กฤติยา กาวีวงศ์

How to Self-Construct: The Primary Facts and Narration about Moving Image in China - GUO Xiaoyan, 郭曉彥

Extreme Sensibility: Taiwanese Contemporary Video Art - LIU Changhan Charles, 劉昌漢

Discourse on the Moving Image in Vietnam in the 21st Century - NGUYEN Trinh Thai

The Discourse of Moving Images in Hong Kong in the 21st Century - Ellen PAU, 鮑藹倫

Moving Images in the 21st Century in Indian Video Art and Beyond - Johan PIJNAPPEL

Contemporary Japanese Video Artists - Fumihiko SUMITOMO, 住友文彥

SEA STATE: Notes on Video Art in Singapore - David TEH

Moving Image in 21st Century Malaysia - Lian Heng YEOH

Now and Future of Asian Moving Images through 4 Artists

Recommender Essay on Apichatpong Weerasethakul - Gridthiya GAWEEWONG, กฤติยา กาวีวงศ์

The Self Reflected upon the Other: Works of Yang Fudong - KIM Baikgyun, 김백균

Song Dong, the Epitome of Existential Art, His Life and Art - LEE Jinmyung, 이진명

Upon The Cloud of Unknowing - June YAP, 葉又丹

Move On Asia 2004-2010

A New Sphere for Public Discourse and Media Art - SUH Jinsuk, 서진석

Artists of Global Village Generation - Ann Youngro YEE

Why Video Art Preservation Requires Special Handling? - Howard BESSER

Picturing Life - Biljana CIRIC

Do We Need a Youtube for Video Art? - Ross HARLEY

Art Forms in Video Making - Liz HUGHES, Caroline FARMER

The Days of Confused Values - KANG Euna, 강은아

The Work of Art in Our Global Age: What Can It Globalize and for Whom? - Jyotsna KAPUR

Seeking the Possibilities of Image Expressions: What is the Identity of Video Art? - LEE Yonguk

Clash and Network - Simon MAIDMENT, Vikki MCINNES

Performance, Gesture, Ritual - Simon MAIDMENT, Vikki MCINNES

Imagining the Future of Video Art Distribution - Abina MANNING

The Materialistic Approach to the Changing of Media-Formats - Yasuhiro NISHIMURA

I Love My India - Johan PIJNAPPEL

Move On Asia - Johan PIJNAPPEL

The Never Ending End of Video Art - Johan PIJNAPPEL

Beyond the Limits of Video Art - SEO Hyunsuk, 서현석

A World New Order? - Fumihiko SUMITOMO, 住友文彥

Video, the Most Significant Medium in Contemporary Art - SUNG Yonghee, 성용희

Rethinking Video Art - Kentaro TAKI, 瀧健太郎

Korean Video Art and Shamanism - YI Wonkon, 이원곤