China's First Performance Artists Group: Concept 21, 中國最早的行為藝術團體：觀念21
This publication documents the activities of the pioneering performance art group Concept 21, from 1986 to 1988. Its founding members include Sheng Qi, Zheng Yuke, Zhao Jianhai, Kang Mu and Xi Jianjun, who were art academy students in Beijing. Reports from the art magazine Zhongguo Meishubao and a short essay by Huang Du are included, accompanied by archival photographs and a timeline of performances by the short-lived group.
zhong guo zui zao de xing wei yi shu tuan ti: guan nian 21
This item is covered by one or more copyrights. It is available for research only or use within Hong Kong’s fair dealing rules. Please do not copy, re-use or reproduce this item without the permission of the copyright holder.
The selected publications on this page presents the varied ways artists, curators, and researchers experiment with performance. For some, performance is a way to defy the commodification of art, a physical intervention into dominant narratives, or an enactment that eludes state control. Performance may be protest that takes place in the theatre, on the streets, in a café, or in a private setting. For others, it is experimentation with form: a transformation, appropriation, or expansion of dance, theatre, and film.