In this essay, Wong Chi Fai wrote about how making videos became popular in Hong Kong as video recorders and cameras were more accessible than film cameras in the 1990s.
Wong also mentioned the creative process of the video workshop from the programme 'Two Visions: Between Reality and Imagination'. He also wrote about the exhibitions 'Videotage 90 (Vol 1): The Year Living Dangerously' and 'Alice doesn't Live Here Anymore' featured in 'Zuni's Video Tactics on Fringe'.
Translated
Online
Chinese - Traditional
1990
Contemporary, 當代時事周刊, 1990, Vol. 1990, pp. 33–34
clipping,
essay
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Privatisation of Video, 影象私有制
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