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An essay by Deeptha Achar on Nilima Sheikh's paintings.

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Online

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practitioner
Language

English

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Undated

Content type

manuscript

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In Copyright

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This item is covered by one or more copyrights. It is available for research only or use within Hong Kong’s fair dealing rules. Please do not copy, re-use or reproduce this item without the permission of the copyright holder.

Political Histories of Image Making: Mapping Land, Mapping Body