Compilation of documentations collected from artist Bonney Bombach during the preparation for the second 'Looking In' exhibition.
Contents:
1. Artist statement submitted as one of the proposals for the exhibition 'Looking In-2'.
2. Artist statement
3. Curriculum vitae
4. Invitation to the artist's exhibition 'Garden and The Dance', Reconnaissance, 7-26 March 1989. Includes biography and curriculum vitae too.
5. Review: Jennifer Aspinall, 'Animist Images, and Other Dream States'
6. Review: Sonia Barron, 'Working Process Displayed', The Canberra Times, 21 September 1991.
7. Artist Statement: 'Animist Images and Other Dreamstates', May 1990
8. Letter from Bonney Bombach to Natasha Kraevskaia
9 - 11. Artwork documentations

The project ‘Looking In’ was originally projected as a series of exhibitions by international artist whose works relate to Vietnam in various ways; either they were foreign artist who visited or lived in Vietnam, or they studied and experimented with Vietnamese art techniques such as lacquer paintings. The project aimed to explore the Vietnamese influence to foreign artistic practice, and to introduce to the locals such genuine interest from foreign artists so as to invigorate cultural exchange and interactions.

Following the well-received first exhibition, many other foreign artists contacted Salon Natasha to express their wish to join the project. Proposals, documentations, and artworks were sent to the Salon in preparation of the second ‘Looking In’ exhibitions. Yet, with limited space, manpower and funding, further exhibitions were deemed impossible for Salon Natasha.