'From the start, the concept driving this program has been that the visual arts must be considered a field of knowledge and that an artwork should be considered, first and foremost, a thinking process. Consequently, those who wish to work within this field deserve an education based on more than solely the achievement of specific skills.' - from Foreword: How do We Teach Art, Angela Vettese.
'The work of art has often been a battleground — its decorative and formal aspects positioned against its nature as an embodiment of cognitive acts. Leonardo da Vinci’s claim that art be a “cosa mentale” is winning at last: recent debates around art schools and their methods, of which this book is a vast survey, demonstrate that, now more than ever, art is considered the result of a thinking process.' - from back cover.
With biographies of authors and bibliography.
Onsite
Mara AMBROZIC, 
English
art theory,  art education
2013
267
9781934105931
1
anthology
Undermining Orthodoxies - John AIKEN
Regeneration - Mara AMBROZIC
Re_ ACT: Research-Based Artistic Practice at MIT’s Program in Art, Culture, and Technology - Ute Meta BAUER
Microutopias and Pedagogies for the Twenty-First Century - Carol BECKER
Economic Dogmatism and Poetical Thought in the Coming European Insurrection - Franco BERARDI
Digging - Jeremiah DAY
Art as a Way of Thinking - Marco DE MICHELIS
What the Scientist’s Eye Tells the Artist’s Brain - Paolo GARBOLINO
The Quest for the Common Good and the Participatory Community - Mika HANNULA
Experience as Thinking - Mary Jane JACOB
Artistic Research Formalized into Doctoral Programs - Jan KAILA
Teaching Contemporary Art (and Aesthetics) - Lev KREFT
Concrete Concepts - Cornelia LAUF
Art as a Form of Knowledge and as a Creative Process - Paolo LEGRENZI, Alessandra JACOMUZZI
From Work to Research: Sites of Artistic Research - LIN Hong-john, 林宏璋
What the Thunder Said: Toward a Scouting Report on “Art as a Thinking Process” - Sarat MAHARAJ
Feminist Research in Visual Arts - Suzana MILEVSKA
Fictional Faculties - Simon NJAMI
Curating in the Twenty-First Century - Hans Ulrich OBRIST
Art as a Thinking Process: New Reflections - John RAJCHMAN
Thinking Through - Gertrud SANDQVIST
The Institutional Conscience of Art - Henk SLAGER
Art as Occupation: What Happens to Knowledge? - Hito STEYERL
A Technical Efflorescence - Chiara VECCHIARELLI
We Are the Board, but What Is an Assemblage? - Mick WILSON
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