'Ten international art related professions consider the increased influence of independent curators and cultural producers and how the role of the 'curator' has changed over the last ten years. Using examples from past exhibitions and personal experiences, the writers address how working within an institution differs from being independent, the difficulties of balancing artistic vision with expectations of funders and institutions, and the ethical issues of working with artists and collectors, among many other subjects.' (Back cover, Cautionary Tales: Critical Curating)

Access level

Onsite

Location code
REF.RAS5
Language

English

Publication/Creation date

2007

No of pages

125

ISBN / ISSN

1933347104

No of copies

1

Content type

anthology

Chapter headings

Preface - Steven RAND

Introduction - Heather KOURIS

The Bias of the World: Curating After Szeemann & Hopps - David STRAUSS

Who Cares? Understanding the Role of the Curator Today - Kate FOWLE

Independent Curatorship - Jean-Hubert MARTIN

The Curator as Iconoclast - Boris GROYS

Curating: In the Public Sphere - Geeta KAPUR

Editing as Metaphor

- Andras SZANTO

Why Curators Matter - David CARRIER

Beau Monde, Upon Reflection - Dave HICKEY

Independent Curating Within Institutions Without Walls - Sara ARRHENIUS

Curating in a Global Age - LEE Youngchul, 이영철

Cautionary Tales: Critical Curating
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Cautionary Tales: Critical Curating