'Author Alexandra Chang investigates “Asian American Art” through the formation, membership, and artwork of three important post-90s artist collectives: Godzilla: Asian American Art Network, Godzookie, and the Barnstormers.
Through in-depth interviews with artists, arts administrators, and writers, as well as the search for archival documents from university and museum archives to the storage shelves of participant artists, Chang traces the shifts within the changing historical contexts of the initial coinage of the term “Asian America.” We see how the term began as an outgrowth of the late ’60s civil rights movement, to its integration into mainstream multicultural discourse and its legacy today. Envisioning Diaspora peers into the nuances of artist collective formations and communities of affinity, and ultimately the core issues of identity politics, aesthetics, and diaspora involved in Asian American Art.' (Publisher's website)
Includes artist biographies.
On Megumi AKIYOSHI, 秋吉恩,
HITOTZUKI (Kami + Sasu),
HUANG Shihchieh, 黃世傑,
KIM Shinil, 김신일,
Bing LEE, 李秉罡,
diaspora,  transnationalism,  artist group,  Asia,  identity,  Thailand,  South Korea,  Taiwan,  India,  China,  Hong Kong,  Japan
Foreword: 'Diasporas in Motion: The Visual Arts and Communities of Affinity' - Margo MACHIDA
A Necessary Specificity: A Porous History of Asian American Art
The Network: Godzilla
The Legacy: Godzookie
Once More: Is There An Asian American Aesthetic?
The Transglobal Mythical Nation: An Asian/American Internationalism
Diaspora Redefined (An Aesthetics of Diaspora)
Barnstorming: Cultural Exchange and International Happenstance