'During the lead-up to the 2008 Beijing Olympics, the censorious attitude that characterized China's post-1989 official response to contemporary art gave way to a new market-driven, culture industry valuation of art. Experimental artists who once struggled against state regulation of artistic expression found themselves being courted to advance China's international image. In Experimental Beijing Sasha Su-Ling Welland examines the interlocking power dynamics in this transformational moment and
*Currently unavailable. The Item is loaned out for a book display until 26 May 2024*
Onsite
English
gender,  globalisation,  feminism,  China
2018
337
9780822369431
2
monograph
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