'Published on the occasion of the 58th Venice Biennale and curated by Hyunjin Kim, History Has Failed Us, but No Matter explores the history of modernization in East Asia through the lens of gender and the agency of tradition. Like the namesake exhibition hosted at the Korean Pavilion, the publication looks at the works of the three Korean artists siren eun young jung, Jane Jin Kaisen, and Hwayeon Nam as a challenge to dig into, rethink, and question the canon of the heterosexual male and the modality in which East Asian modernization has been interpreted, while at the same time exploring the emancipatory potential of Asian tradition.' - from the publisher's website
Onsite
English
2019
144
9788867493777
1
catalogue
History Has Failed Us, but No Matter
- KIM Hyunjin, b. 1975, 김현진
Feminist and Queer Desire and Care: On siren eun young jung's Works
- Mi YOU
Refusing Obliquely in siren eun young jung's Yeoseong Gukgeuk Project
- Soo Ryon YOON
Archiving Dance
- Je Yun MOON
I Am a Dancer
- KIM Jangun, 김장운
Border as Space, Diaspora as Community: Folded Body and Polyphonic Voice of the Bari-Film
Jane Jin Kaisen in Conversation with Mary Kelly
Social Death and Being out of Time
- Anselm FRANKE
Gender as a Boundary and "Possible Worlds"
- Hyejin OH
History Has Failed Us, but No Matter: The Korean Pavilion - 58th International Art Exhibition, La Biennale di Venezia
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