Catalgoue of solo exhibition by Mao Tongqiang, featuring paintings from his Logo series created in 2005 and 2006. According to Lu Peng, Mao's Logo series 'is stripped of all sentimental images. The artist coolheadedly condenses all the political and historical issues into the party emblem. The artist apparently feels that sentimentality may cloud one's analysis of history and issues, and that the appearance of any historical figure may be subjected to reinterpretation based ont he manner of appearnce. On the other hand, in the absence of any obsession with sentimental icons, focusing core concepts onto a sign is possibly a more succinct way of expression.'
The present catalogue includes essay by Lu Peng, short writings by Monica Dematte, Maurizio Giuffredi and the artist, Mao's biography. Also featured in the catalogue are Mao Tongqiang's photographic self-portraits.
The present catalogue includes essay by Lu Peng, short writings by Monica Dematte, Maurizio Giuffredi and the artist, Mao's biography. Also featured in the catalogue are Mao Tongqiang's photographic self-portraits.
Access level
Onsite
editor
Location code
MONL.MTQ
Language
Chinese - Simplified, 
English
Keyword
painting,  pop,  solo exhibition
Publication/Creation date
2006
ISBN / ISSN
9810565275
No of copies
1
Content type
artist monograph, 
catalogue
Chapter headings
Ideological Symbols in the Post-Cold War Era - LV Peng, 呂澎
What does this mean?
This item is covered by one or more copyrights. It is available for research only or use within Hong Kong’s fair dealing rules. Please do not copy, re-use or reproduce this item without the permission of the copyright holder.