This catalogue accompanies the titled exhibition featuring the work of Lee Yongbaek at the Korean Pavilion of the 54th International Art Exhibition – La Biennale di Venezia, June to November 2011. Since the early 1990s, Lee has experimented with various technologies, from single-channel video, sound, kinetics, to robotics. The presentation of his recent works at Venice highlights his wide interests in issues associated with existence, society, religion and politics. These are documented in the publication, along with a selection of his earlier works. Several essays are included. Preface by Yun Cheagab, Commissioner of the Korean Pavilion. With artist's biography.
Alternative title
Korean Pavilion: The 54th International Art Exhibition - La Biennale di Venezia 2011
Access level
Onsite
practitioner
editor
Location code
MON.LYB2
Language
English
Keyword
Publication/Creation date
2011
No of pages
96
ISBN / ISSN
Nil
No of copies
1
Content type
artist monograph,
catalogue
Chapter headings
Works of Lee Yongbaek: A Philosophical Mirror of the Digital Simulation Age - KIM Wonbang, 김원방
Aesthetic Possibilities: Lee Yongbaek's Angels - John RAJCHMAN
Lee Yongbaek: Pursuing the Future of Hybrid Aesthetics - BAN Ejung, 반이정
Confinement of a Thinking Being and Lee Yongbaek's Art - LEE Jinmyung, 이진명
Lee Yongbaek: The Love Is Gone but the Scar Will Heal
What does this mean?
This item is covered by one or more copyrights. It is available for research only or use within Hong Kong’s fair dealing rules. Please do not copy, re-use or reproduce this item without the permission of the copyright holder.