This catalogue accompanies 'Lingua Franca/франк тили', the exhibition project of the Central Asia Pavilion at the 54th Venice Biennale. It presents works by artists from Kazakhstan, Kyrgyzstan, Tajikistan and Uzbekistan. The project sets out to 'test art for universality', the ability to act as a kind of lingua franca.

'The exhibition project of the Central Asia Pavilion, presenting the works of eleven artists, is the result of intensive research of a hundred art projects submitted by fifty artists and, thus represents a sort of selective anthology of art universals. Our attempt in testing universality proved, however, the ambivalence of art in the function of lingua franca. The exhibit involves two approaches — Lingua Franca. Experiences of Universal and Frank Tili. Foreign Affairs. The first presents artworks in six categories of universality — atomic, mixed, metaphoric, primitive, representative, and a specific category marked by curators as l'innommable (unnamed). Projects presented in this section of the exhibit explore the formal and conceptual potential of art to produce universally comprehensible meanings. Lingua Franca. Experiences of Universal summarizes approaches inspired by the practices of the historical avant-garde, which among its most significant aspirations, strove to turn art into a universal means of communication. References to the universal experiences of the historical avant-garde, in particular to its Central Asian "dialect", are integrated into the exhibit through a special project — a retrospective video presentation of artworks and documents from the 1920's and 1930's.

Lingua franca, as the historical language of trade and diplomatic relations in the Mediterranean of the Middle Ages is a common illustration of the utopian concept of global language. However, that very historical prototype, as well as "lingua francas" of today's world, like English for example, had always been the language of Franks (франк тили, if translated into Turkic languages of Central Asia), foreigners, others, or aliens. This aspect of arts, taken as a model for universal communication, is explored in the section Frank Tili. Foreign Affairs. Projects that built up this part of the exhibit reveal unobvious or sometimes simply unnoticed expressions of power. They explore contemporary universals in the aspects of language hegemony, domination and appropriation of the universal potential of art and new media by authoritarian state machineries.' - B. Chukhovich, O. Shatalova, G. Mamedov

Artist biographies are included.

Alternative title

La Biennale di Venezia: 54. Esposizione Internazionale d'Arte - Partecipazioni nazionali | Venice Biennale: 54th International Art Exhibition - National Participation

Access level

Onsite

Location code EX.ITA.BVE.2011
Language

English, 

Russian

Publication/Creation date

2011

No of pages

212

ISBN / ISSN

9789967263130

No of copies

2

Content type

catalogue

Chapter headings
Lingua Franca/франк тили: Testing Universality

- Boris CHUKHOVICH, Georgy MAMEDOV, Oksana SHATALOVA

франк тили - франк тiлi - Frank Tili

- Georgy MAMEDOV

Central Asian Avant-garde as Frank Tili

- Boris CHUKHOVICH

Lingua Franca. Experiences of Universal

- Boris CHUKHOVICH, Georgy MAMEDOV, Oksana SHATALOVA

Atomic Language

- Oksana SHATALOVA

Central Asian Avant-garde: Atomic Language

- Boris CHUKHOVICH

Mixed Language

- Boris CHUKHOVICH

Mixed Language of the Central Asian Avant-garde

- Boris CHUKHOVICH

Primitive Language

- Oksana SHATALOVA

Central Asian Neoprimitivism

- Boris CHUKHOVICH

Language of Metaphors

- Oksana SHATALOVA

Turkestan: On a Few Metaphors

- Boris CHUKHOVICH

ABC Representations

- Georgy MAMEDOV

Central Asian Avant-garde: Language of Representations

- Boris CHUKHOVICH

L'innommable

- Boris CHUKHOVICH

Lingua Franca: Central Asia Pavilion
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Lingua Franca: Central Asia Pavilion, франк тили: Central Asia Pavilion