Performance Paradigm is an interdisciplinary, refereed journal that reflects contemporary performance research across a range of cultures and contexts primarily in Asia and Australia. It is intended as a forum for Asian and Australian scholarship in the fields of live performance, dance, installation, hybrid performance, events and festivals, screen performance, ritual, multimedia and time based art and related areas. It is published annually in themed issues.
The theme of the present issue (Number 2, March 2006) is 'Japan After the 1960s: The Ends of the Avant-Garde'. It investigates the various “ends” of 1960s culture in Japan and the parallel, divergent, multiple outcomes of the 1960s avant-garde.
Please note that the present copy is the print out version of the online journal (http://www.performanceparadigm.net).
The theme of the present issue (Number 2, March 2006) is 'Japan After the 1960s: The Ends of the Avant-Garde'. It investigates the various “ends” of 1960s culture in Japan and the parallel, divergent, multiple outcomes of the 1960s avant-garde.
Please note that the present copy is the print out version of the online journal (http://www.performanceparadigm.net).
Access level
Onsite
editor
Location code
PER.PPA
Language
English
Keywords
Publication/Creation date
2006
Publication status
In print
ISBN / ISSN
18325580
No of copies
1
Content type
magazine/journal/newspaper
Chapter headings
Articles
Introduction: Japan After the 1960s: the Ends of the Avant-Garde
On Vernacular Theatre (translated by Yuji Sone)
Performances of Masculinity in Angura Theatre: Suzuki Tadashi on the Actress and Sato Makoto's Abe Sada's Dogs
Bursting Bodies of Thought: Artaud and Hijikata
Ghosts of Premodernity: Butoh and the Avant-Garde
Dancing the Elemental Body: Butoh and Body Weather: Interviews with Tanaka Min and Yumi Umiumare
Translation, Hybridity, and 'The Real Thing': Don Kenny's English Kyogen
The Spectacle of Woman in Japanese Underground Theatre Posters
Off Museum! Performance Art that Turned the Street
Ruins of the Future: Yanobe Kenji Revisits Expo '70
Mapping/ Zapping 'J' Theatre at the Moment
Book Reviews
Unspeakable Acts: The Avant-Garde Theatre of Terayama Shuji and Postwar Japan, Carol Fisher Sorgenfrei
Into Performance: Japanese Woman Artists in New York, Midori Yoshimoto
Alternatives: Debating Theatre Culture i the Age of Con-Fusion, Peter Eckersall, Uchino Tadashi and Moriyama Naoto
Event Reviews
Tradition and Innovation: Dance Hakushu 2005. August Twelfth Through Twenty-first, Body Weather Farm, Yamanashi, Japan.
Performance Paradigm, Number 2 (March 2006): Japan After the 1960s: The Ends of the Avant-Garde
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