These questions and others are explored in this collection of nine essays by leading international scholars of film and projected-image art. Structured in three sections - "Histories", "Screen", and "Space" - the book argues for recognition of the projected image as a distinctive category in contemporary art, which demands new critical and theoretical approaches.' - excerpted from back cover.
Including an index.
Rethinking Art's Histories
Onsite
English
digital art,  film,  video art,  screening,  museum studies
2011
214
9780719084638
1
anthology
Introduction: Theorising the Projected Image - Tamara TRODD
Part I: Histories
Rooms of our Time: Laszlo Moholo-Nagy and the Stillbirth of Multi-Media Museums - Noam M. ELCOTT
'Festival' and 'Museum' in Modernist Film Histories - Maxa ZOLLER
The Matter of Illusionism: Michael Snow's Screen/Space - Kate MONDLOCH
Part II: Screen
Projecting Symptoms - Joanna LOWRY
'You've got me under your spell': The Entranced Spectator - Maria WALSH
Screen Eroticisms: Exploring Female Desire in the Work of Carolee Schneemann and Pipilotti Rist - Amelia JONES
Part III: Space
Windows in the White Cube - Andrew V. UROSKIE
Inside the Film-Machine: Architecture and Apparatus in British Women's Film since the 1990s - Tamara TRODD
The Projective Shift between Installation Art and New Media Art: From Distantiation to Connectivity - Christine ROSS
Screen/Space: The Projected Image in Contemporary Art

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