This booklet accompanies the solo exhibition of Cambodian artist Sopheap Pich at Sherman Contemporary Art Foundation (SCAF) as the second instalment of SCAF's 'Collection+' exhibition series. It takes place from October to December 2013.

'Sopheap Pich is widely considered to be Cambodia’s most internationally prominent contemporary artist. Working primarily with thin strips of rattan and bamboo, he creates sculptural forms that address issues of time, memory, and the body, often relating to Cambodia’s history, particularly with regard to his recollections of life during the Khmer Rouge period (1975-79), and its culture, both its ancient traditions and contemporary struggles. Pich’s work stands out for its subtlety and power, combining refinement of form with a visceral, emotive force.  After receiving his BFA and MFA in the United States, Pich returned to Cambodia in 2002, where he began working with local materials – bamboo, rattan, burlap from rice bags, beeswax and earth pigments gathered from around Cambodia – to make sculptural forms that reference social and political conditions in Cambodia. His childhood experiences during the genocidal conditions of late 1970s Cambodia had a lasting impact on his work, informing its themes of survival family, and basic human togetherness. Pich’s work has been featured in numerous international museum exhibitions and biennials in Asia, Europe, Australia, and the United States.' - from SCAF's website.

Includes images of the artist working in progress, as well as a biography.
Alternative title

Collection+ | SCAF Project 19

Access level

Onsite

Location code
MONS.PIS
Language

English

Keyword
Publication/Creation date

2013

No of pages

88

ISBN / ISSN

Nil

No of copies

1

Content type

artist monograph, 

catalogue

Chapter headings

Introduction - Michael YOUNG

Internal Technology - Erin GLEESON

An Interview with Sopheap Pich - Dolla S. MERRILLEES

Sopheap Pich
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In Copyright

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This item is covered by one or more copyrights. It is available for research only or use within Hong Kong’s fair dealing rules. Please do not copy, re-use or reproduce this item without the permission of the copyright holder.

Sopheap Pich