In this book, Sarita Echavez See shows how Filipino-American artists have engaged with the complex aftermath of U.S. colonialism in the Philippines from the late 1980s to the present.

'Focusing on artists working in New York and California, See examines the overlapping artistic and aesthetic practices and concerns of filmmaker Angel Shaw, painter Manuel Ocampo, installation artist Paul Pfeiffer, comedian Rex Navarrete, performance artist Nicky Paraiso, and sculptor Reanne Estrada to explain the reasons for their strangely shadowy presence in American culture and scholarship. Offering an interpretation of their creations that accounts for their queer, decolonizing strategies of camp, mimesis, and humor, See reveals the conditions of possibility that constitute this contemporary archive. By analyzing art, performance, and visual culture, The Decolonized Eye illuminates the unexpected consequences of American's amnesia over its imperial history.' (Back cover)

Includes bibliography.
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Chapter headings
Introduction: Foreign in a Domestic Sense
I. Staging the Sublime
1 An Open Wound: Angel Shaw and Manuel Ocampo
2 A Queer Horizon: Paul Pfeiffer's Disintegrating Figure Studies
II. Pilipinos are Puny, Freud is Filipino
3 Why Filipinos Make Pun(s) of One Another: The Sikolohiya/Psychology of Rex Navarrete's Stand-up Comedy
4 'He will not always say what you would have him say': Loss and Aural (Be)Longing in Nicky Paraiso's House/Boy
Conclusion: Reanne Estrada, Identity, and the Politics of Abstraction
The Decolonized Eye: Filipino American Art and Performance
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The Decolonized Eye: Filipino American Art and Performance