The Primacy of Painting: Institutional Structures of the Singapore Art World from 1935 to 1972
This is an unpublished thesis by Seng Yu Jin submitted for the degree of Master of Arts, Department of History, National University of Singapore in 2006.The thesis examines the social and historical conditions that shaped the Singapore art world and its institutions, revealing the institutional structure of the art world as one that was devoted to the production, reception and distribution of painting.
To access the electronic version of the thesis, please refer to the institutional repository of National University of Singapore.
This item is covered by one or more copyrights. It is available for research only or use within Hong Kong’s fair dealing rules. Please do not copy, re-use or reproduce this item without the permission of the copyright holder.