Ugnayan '05, the 4th PIPAF was conceived as an event for artists to reconstruct through their performative actions the 'invisible in the visible'. As a venue-for-exchange between and among national and international performance artists, Ugnayan '05 bolsters the urgent desire to reintegrate art and life, and aims to redefine contemporary and conceptual art-making processes. The present catalogue includes artist statements and biographies.
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Ugnayan '05: The 4th Philippine International Performance Art Festival
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Ugnayan '05: The 4th Philippine International Performance Art Festival

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The selected publications on this page present the varied ways artists, curators, and researchers experiment with performance. For some, performance is a way to defy the commodification of art, a physical intervention into dominant narratives, or an enactment that eludes state control. Performance may be a protest that takes place in the theatre, on the streets, in a café, or in a private setting. For others, it is experimentation with the form: a transformation, appropriation, or expansion of dance, theatre, and film.

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