[Skip to content] [Skip to main navigation] [Skip to secondary content] [Skip to quick links] [Go to accessibility information]
Longform explorations of recent art in Asia, archives, art histories, urgent preoccupations, and other areas of interest
Xie Congyang looks at three art exhibitions in northwest China from the mid-1980s to the turn of the century
Alice Sarmiento asks whether exhibitions and artist-led initiatives can change how we connect space, citizenship, and acts of caregiving
Xie Congyang traces the emergence of unofficial art exhibitions in northwest China from the late 1970s
Christina Yuen Zi Chung looks at gender-themed art exhibitions and their relation to feminist discourse in Hong Kong
Leo Li Chen explores how Ha Bik Chuen’s collection opens up new ways to understand Hong Kong art history
Sneha Ragavan questions the dominance of English in India’s art historiography and criticism
Zoe Butt considers the significance of friendship for artistic languages and forms
Jack Persekian documents a global pattern of loss for Palestinian art
Clare Butcher on reconstructing the histories of the dehistoricised
Roee Rosen discusses the challenge of allowing fiction to overwhelm through its excess
Seth Denizen explores the art in art malls and competing claims to public spaces
Rasheed Araeen's critical challenge to art historical narratives through art curation
Note from the Editors
Georgy Mamedov provides a critical overview of the politico-economical context of Central Asian art history
Ahyoung Yoo discusses the playful masking and unmasking of potential digital utopias
Biljana Ciric discusses images as intimate, fragmented readings of exhibition experiences
Yin Ker discusses the transformation of desire through meditation on desire
Phoebe Wong considers an exhibition's haunting imagery after the traumas of SARS and Leslie Cheung's suicide
Map Office explores how Asia is a point of arrival and departure
Three approaches to framing contemporary art outside a Eurocentric framework
