'How does one articulate the structure of visibility itself? The author takes up this challenge as he elaborates new theoretical perspectives on visual hegemony, addressing the political processes of the photographic image. How does photography invoke an epistemology that subtly determines the scope and limit of what can be understood, said or done with images? Srivatsan uses gender, caste and class as frames of reference in these stimulating essays on the visual image.' (excerpt from front flap)
Access level

Onsite

author
editor
Location code
REF.SRR
Language

English

Keyword
Publication/Creation date

2000

No of pages

174

ISBN / ISSN

81856048282

No of copies

1

Content type

monograph

Chapter headings

The Photograph on a Rowdystreet

Newsphotography and the Discourse of the Real

Looking at Film Hoardings

The Moneychanger

The Woman in the Advertisement: Historical Explorations Through a Type

Gandhi's Funeral: Event or Statement?

Notes for a Theory of Advertising

What is Photography? (A Tribute to Susan Sontag)

Conditions of Visibility : Writings on Photography in Contemporary India
Share
Citation
Rights statement

In Copyright

What does this mean?

This item is covered by one or more copyrights. It is available for research only or use within Hong Kong’s fair dealing rules. Please do not copy, re-use or reproduce this item without the permission of the copyright holder.

Conditions of Visibility : Writings on Photography in Contemporary India