'How does one articulate the structure of visibility itself? The author takes up this challenge as he elaborates new theoretical perspectives on visual hegemony, addressing the political processes of the photographic image. How does photography invoke an epistemology that subtly determines the scope and limit of what can be understood, said or done with images? Srivatsan uses gender, caste and class as frames of reference in these stimulating essays on the visual image.' (excerpt from front flap)
Access level
Onsite
author
publisher
editor
Location code
REF.SRR
Language
English
Keywords
Publication/Creation date
2000
No of pages
174
ISBN / ISSN
81856048282
No of copies
1
Content type
monograph
Chapter headings
The Photograph on a Rowdystreet
Newsphotography and the Discourse of the Real
Looking at Film Hoardings
The Moneychanger
The Woman in the Advertisement: Historical Explorations Through a Type
Gandhi's Funeral: Event or Statement?
Notes for a Theory of Advertising
What is Photography? (A Tribute to Susan Sontag)
Conditions of Visibility : Writings on Photography in Contemporary India
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