This publication coincides with an exhibition of Araya Rasdjarmrearnsook's work titled 'Storytellers of the Town', curated by John Clark and Clare Veal (4A Centre for Contemporary Visual Art, 14 March–10 May 2014; ANU Drill Hall Gallery, 4 July–10 August 2014). Illustrating her impact on the discourses around installation and video art in Thailand and beyond, it presents key moments in her development. Early prints, installations, and other works previously not shown outside of Thailand are shown alongside her later works. Layered with political, social and cultural contexts and closely related to her personal experience as a Thai woman and artist, her body of work has involved human corpses, rural villagers, women in mental institutions, and stray dogs. Her works guide viewers to interrogate social and cultural norms yet are imbued with a great sense of humanity.
With writings by the curators and Thai researcher Judha Su, as well as an interview with the artist first published in 2007. Includes the artist's chronology, bibliography, contributors' biographies and list of works across the two exhibition venues.
Onsite
English
printmaking,  sculpture,  installation,  video art,  feminism,  solo exhibition
2014
140
9780980803594
2
artist monograph, 
catalogue
Why Thai Contemporary Art Matters Outside Thailand - John CLARK, 姜苦樂, Clare VEAL
The Thai Avant-Garde and Araya's Visual Work - John CLARK, 姜苦樂
Can the Girl Be a Thai Woman? Reading the Works of Araya Rasdjarmrearnsook from Feminist Perspectives - Clare VEAL
She Simply Disappears Somewhere: Presence and Absence in the Writing of Araya Rasdjarmrearnsook - Judha SU
Araya Rasdjarmrearnsook: A Woman Who Has Her Affection for Death. (The Female Artist Who Loves to Satirise and Irritate)
Araya Rasdjarmrearnsook: Storytellers of the Town

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