This book 'examines the interests of the various institutions involved in the production and mediation of art, and explores the impact these institutions have on the contemporary art world. It covers topics including the decline of the welfare state; the advanced corporatisation of institutions; the art space and notions of democracy; curating with institutional visions; the role of art academies and education; new collectives and self-organisation; the need for transgressive institutions; a re-evaluation of institutional critique of the 1970s and 90s; and the introduction of new models of critique in artistic and institutional practice. Two exhibition projects, Spaces of Conflict and Opacity, are also discussed in terms of their relationship to the controversies and desires provoked by institutions.' - Excerpt from the book cover.

With brief biographies of the contributors. 

Access level

Onsite

editor
Location code
REF.MON3
Language

English

Publication/Creation date

2006

No of pages

192

ISBN / ISSN

9781904772507

No of copies

1

Content type

anthology

Chapter headings

The Utopian Institution? - Cecilia GELIN

Art and its Institutions - Nina MONTMANN

The Changing Normative Foundations of Nordic Welfare State Institutions - Nanna KILDAL

Curating with Institutional Visions - Roger M. BUERGEL, Anselm FRANKE, Maria LIND, Nina MONTMANN

Spaces of Conflict - Mike BODE, Staffan SCHMIDT

'A museum is not a business. It is run in a businesslike fashion' - Andrea FRASER

Opacity: Current Considerations on Art Institutions and the Economy of Desire - Nina MONTMANN

Institutional Desires - Sven-Olov WALLENSTEIN

Game Within the Game: Institution, Institutionalisation and Art Education - Beatrice VON BISMARCK

This is Not an Exhibition. On the Practical Ties and Symbolic Differences between the Agency of the Art Institution and the Work of Those on its Outside - Jan VERWOERT

The Trouble with Institutions, or, Art and its Publics - Simon SHEIKH

Friends of the Divided Mind - Marita MUUKKONEN, Chris EVANS

There is no Alternative: The Future is Self-Organised. Part 1 - Anthony DAVIES, Stephan DILLEMUTH, Jakob JAKOBSEN

Collective Interest - 16 Beaver Group, Tone HANSEN, Trude IVERSEN

Art and Its Institutions: Current Conflicts, Critique and Collaborations
Share
Citation
Rights statement

In Copyright

What does this mean?

This item is covered by one or more copyrights. It is available for research only or use within Hong Kong’s fair dealing rules. Please do not copy, re-use or reproduce this item without the permission of the copyright holder.

Art and Its Institutions: Current Conflicts, Critique and Collaborations