Alternative title

(Art Asia Pacific), (ArtAsiaPacific), (Art and AsiaPacific)

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Location code PER.AAP


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Chapter headings
Beyond the Borders (The inaugural Kwangju Biennale)

- James B. LEE

Readymade Biennale (More on the Kwangju Biennale)

- Eleanor HEARTNEY

The Necessity of Craft (Women and craft in the Asia-Pacific region)


The Good The Bad The Indifferent (The 1995 Osaka Triennale)

- John CLARK, 姜苦樂

Asian Modernism (A major historical survey exhibition in Tokyo)

- Toshio SHIMIZU, 清水敏男

Censorship in Hong Kong (A banned Beuys rhino horn and an indecent Frink)

- David CLARKE, 祈大衛

Unsaleable Art (Rental galleries in Tokyo)

- Satoru NAGOYA

The Spaces Between (Korean Art in Japan)

- Hideki NAKAMURA, 中村英樹

Cultural Orientations (Art from the Netherlands and Indonesia)

- Martinus Dwi Marianto

Harvest Moon (The Ssack exhibition at the Sonje Museum)

- JUNG Hunyee, 정헌이

Alternative Spaces and Radical Pleasures (Department store art)

- LEE Wengchoy, 李永財

Everyday Sightings (An interview with Wang Youshen)

- Melissa CHIU, 招穎思

Imagining Reality (Contemporary Chinese photography)

- DEWAR Susan

Letting Go (The artist as chef- Rirkrit Tiravanija)

- Alice YANG, 楊蕙如

Cyber Chic (The artist as Model- Mariko Mori)

- Kathleen Finlay MAGNAN

Mind Body and Soul (The photographic and computer art of Rea)

- Antonia CARVER

On Not Being Japanese (The sculpted jewellery of Catherine Truman)


Totally Wired (Jacqueline Fraser's poetics of space)

- Wendy VAIGRO

Performing Bodies (Singaporean artist Amanda Heng)

- Natalie KING

Between the Pot and the Sword (The art of N.N. Rimzon)

- Victoria LYNN

Songspace (The art of Nilima Sheikh)

- Kamala KAPOOR

Gallery Report: Galerie Kyoto Chirathivat

- Jennifer GAMPELL

Reviews: (Australia) Out of the Grasslands

- Yiyang SHAO

Reviews: (United States) Chinoiserie

- Alice YANG, 楊蕙如

Reviews: (India) A Tree in My Life

- Gayatri SINHA

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In Copyright

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This item is covered by one or more copyrights. It is available for research only or use within Hong Kong’s fair dealing rules. Please do not copy, re-use or reproduce this item without the permission of the copyright holder.

ART AsiaPacific (Vol. 3, No. 2; 1996)