This book is a translated version from its English original edition.
'In "Art Power", Groys examines modern and contemporary art according to its ideological function. [...] Arguing for the inclusion of politically motivated art in contemporary art discourse, Groys considers art produced under totalitarianism, Socialism, and post-Communism. He also considers today's mainstream Western art — which he finds behaving more and more according the norms of ideological propaganda: produced and exhibited for the masses at international exhibitions, biennials, and festivals.' - excerpt from book flap of the original English edition.
Yi shu yi
Onsite
Chinese - Traditional
2015
252
9789862821435
1
monograph,
translated text
推薦序: 藝術之力無差別 - LIN Hong-john, 林宏璋
譯者序: 在藝術之中操演藝術之力 - GUO Jaulan, 郭昭蘭
緒論
第一部分
美學平權的邏輯
論新
論策展
生命政治年代的藝術: 從藝術品到藝術文件
聖像破壞做為一種藝術手法: 電影裡的聖像破壞策略
從影像到影像檔—再回到影像: 數位化時代的藝術
多重作者
旅遊複製年代的城市
批判的反思
第二部分
戰爭裡的藝術
英雄的身體: 希特勒的藝術理論
教育大眾: 社會寫實主義的藝術
多元之外: 文化研究與其後共產主義的他者
私有化, 或後共產主義的人造天堂
歐洲與歐洲的他者
Art Power, 藝術力
Relevant content
Boris Groys in Conversation with Johnson Chang
On archives as “museums minus the aesthetic experience,” the return of God as a spectator, and the totalitarianism of music
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