The Context of Indian Film Culture - Satish BAHADUR

Towards a Theory of Film Practices: Some Contemplations Around Ritwik Ghatak's Subernarekha - Gayatri CHATTERJEE

Manipulation in the Trailer - C.B. PATTANAYAK

Interrogating Internationalism - Kumar SHAHANI

Rhythm and its Application - Kavalam Narayana PANIKKAR

The Idea of Dance in Sanskritic Tradition - Mandakini BOSE

Innovations in Classical Indian Dances: An Overview - Sunil KOTHARI

Choreography in the Indian Context - CHANDRALEKHA

Chandralekha & Her Bodyline Approach - Leela VENKATARAMAN

Abhinaya in Mohiniyattam - Bharati SHIVAJI

Chandrasekhar's Pancha Mahabhutam: Translating the Elements Into The Realm of Virtual Power - Gauri Parimoo KRISHNAN

Chau Dance Traditions: Transformations from Village Square to Metropolitan Stage - Prakriti KASHYAP

The Relevance of Rasa Theory in Contemporary Arts with special reference to music - Prem Lata SHARMA

The Aesthetic Development of a Rasika - P.K. DORAISWAMY

Fivefold Classification of Music - Indu RAMAN

The 'Modern,' the 'traditional' and Criticism in the Indian Musical Tradition - Mukund Lath

Hindustani Concert Scene During the Decade - Mohan NADKARNI

(Tiger Varadachariar) His Music - S.Y. KRISHNASWAMY

(Tiger Varadachariar) A River in Spate - K.S. KRISHNAMURTI

A Fool's Paradise - Jaimini MEHTA

The Changing Urban Environment: Challenges of Architecture - M.N. Ashish GANJU

Indian Shilpa Tradition, Silpi and Aesthetics: A Study of Correspondence - R.N. MISRA

A Peep Into the World Citra - Vaijayanti NAVANGAL

Text and Image: The Orientalist and the Revivalist Collaboration - Parul DAVE-MUKHERJI

Critique and Critical Criteria - Sandip SARKAR

Climate of Thought: Art Historical Writing up to the Early 1930s - Urmi KESSAR

Indian Radical Painters and Sculptors Association: The Crisis of Political Art in Contemporary India - Shivaji K. PANIKKAR

Towards a Possible Theory of Narrative in Indian Painting - Ratan PARIMOO