This book is a collection of essays by Taiwanese scholar Liao Hsientien who uses four pairs of theses, namely 'Barbarianism/ Civilisation', 'Nature/ Culture', 'Recognition/ Difference', and 'Pureness/ Hybridity', to analyse the development of Taiwanese modern art. Bibliography included.
Title type
Translated
Alternative title
Tai wan mei shu si lun man huang wen ming zi ran wen hua ren tong cha yi chun cui hun za
Access level
Onsite
author
Location code
REF.LHT
Language
Chinese - Traditional
Keywords
Publication/Creation date
2008
No of pages
198
ISBN / ISSN
9789866833403
No of copies
1
Content type
monograph
Chapter headings
緒論 臺灣美術研究與視覺文化研究的交會處
第一章 蠻荒／文明
蠻荒之美：殖民臺灣風景畫中的探險與旅行
第二章 自然／文化
從自然的臺灣到文化的臺灣：日據時代臺灣風景圖像的文化表徽探釋
第三章 認同／差異
美學與差異：朱銘與1970年代的鄉土主義
第四章 純粹／混雜
近鄉情怯：臺灣近現代視覺藝術發展中本土意識的三種面貌
結論 符號分析、意義詮釋與閱讀策略
日據時代臺灣美術研究的思考
Four Theses on Taiwanese Art:: Barbarianism/ Civilisation · Nature/ Culture · Recognition/ Difference · Pureness/ Hybridity, 臺灣美術四論：蠻荒／文明 ‧ 自然／文化 ‧ 認同／差異 ‧ 純粹／混雜
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