'A comprehensive look at paintings, objects, and installations by one of the most prominent artists on the Chinese contemporary art scene through a rich visual documentation surveying the artist’s oeuvre from 2007 to 2015. One of the most prestigious artists in Chinese contemporary art, Xiaobai Su is among a generation of legendary artists who left China in the 1980s. He adopts lacquer, a medium steeped in Chinese history, as his aesthetic means, and has developed a sensuous yet rigorous art practice that defies classification. Driven by Chinese tradition, Xiaobai Su creates intriguing and magnificent work that speaks a Western language of visual abstraction, with the Buddhist mantra "All reality is a phantom, and all phantoms are real" as its core. Luscious and mysterious, his body of work is defiantly sculptural yet exquisitely delivered– a constellation of extraordinary objects.' - from the publisher's website

Features texts by Gao Minglu, Benjamin Alexander, and John Rajchman. Includes an interview with the artist and a chronology.

Access level

Onsite

Location code
MONL.SXB
Language

English

Publication/Creation date

2016

No of pages

368

ISBN / ISSN

9788857231860

No of copies

1

Content type

artist monograph

Chapter headings

"Tasting the Thingness" and Contemporaneity on Su Xiaobai's Lacquer Art

- GAO Minglu, 高名潞

The Elegance of Objects

Chapter I: The Surface

- Benjamin ALEXANDER

Chapter II: The Border

- Benjamin ALEXANDER

Chapter III: The Body

- Benjamin ALEXANDER

Chapter IV: Su Xiaobai's Abstract Shift: From Lacquer to White, Hut to Chapel

- John RAJCHMAN

An Interview with Su Xiaobai: Artworks are the Entire Life of the Artist

- Baixi

Su Xiaobai
Share
Citation
Rights statement

In Copyright

What does this mean?

This item is covered by one or more copyrights. It is available for research only or use within Hong Kong’s fair dealing rules. Please do not copy, re-use or reproduce this item without the permission of the copyright holder.

Su Xiaobai