The articles in this book, written by Qiu Zhijie, are divided into two main categories: the first is criticism on conceptual art and the introduction to the ideological trend of 'post-sensibility'; the second is on new media art. Being a key promoter of the two artistic phenomena in China, the author argues that there are common links between the art of 'post-sensibility' and new media art. He uses the concept of live art to illustrate this and emphasises the importance of the 'scene'.
Alternative title

Zhong yao de shi xian chang (dang dai zhong guo yi shu pi ping wen cong)

Access level

Onsite

Location code REF.QZJ
Language

Chinese - Simplified

Publication/Creation date

2003

No of pages

338

ISBN / ISSN

7300047912

No of copies

2

Content type

monograph

Chapter headings
後感性的緣起和任務
觀念:藝術的誤區
後感性
異形與妄想-展覽作品評論
後展覽時代的預感
狂歡:後感性作為一種方法
目撃狂歡
重要的不是肉
文化因為憎恨惡臭而發出惡臭-答<重要的是甚麼?>
關於”行為藝術”-答<東方藝術>雜誌記者問
報應:不能當真,更不可能是幻覺
報應:關於命運的知識
一個人的生活及其錄像
若干種附體:影像作証
中國風景:用照相機畫山水?
中國發音
甚麼是聲音藝術?
數字化時代的藝術
數字考古
非線性敘事的敘事
非線性的補白
哄堂大笑-<新潮新聞>的現場精神
<新潮新聞>的現場及幕後
新媒體藝術的文化邏輯
錄像藝術的興起和發展:1990-1996
新媒體藝術的成熟和走向: 1997-2001
The Scene Is Most Important: Series of Critiques on Chinese Contemporary Art
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The Scene Is Most Important: Series of Critiques on Chinese Contemporary Art, 重要的是現場 (當代中國藝術批評文叢)