'Unmarked is a controversial analysis of the fraught relation between political and representational visibility in contemporary culture. Written from and for the Left, Unmarked rethinks the claims of visibility politics through a feminist psychoanalytic examination of specific performance texts — including photography, painting, film, theatre and anti-abortion-demonstrations.' (Excerpt from back cover)
Reprint of first edition published in 1993. Includes bibliographical references and index.
Reprint of first edition published in 1993. Includes bibliographical references and index.
Access level
Onsite
author
publisher
Location code
REF.PHP5
Language
English
Keyword
Publication/Creation date
2006
No of pages
207
ISBN / ISSN
0415068223
No of copies
1
Content type
monograph
1 Broken Symmetries: Memory, Sight, Love
2 Developing the Negative: Mapplethorpe, Schor, and Sherman
3 Spatial Envy: Yvonne Rainer's The Man Who Envied Women
4 The Golden Apple: Jennie Livingston's Paris Is Burning
5 Theatre and Its Mother: Tom Stoppard's Hapgood
6 White Men and Pregnancy: Discovering the Body to Be Rescued
7 The Ontology of Performance: Representation without Reproduction
8 Afterword: Notes on Hope
Unmarked: The Politics of Performance
Relevant content
LIKE A FEVER | Essays
Shortlist | Performance Art Theory
Recommended readings on the development of contemporary performance art and its theoretical underpinnings
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