This book written by academics, critics and fellow practitioner features the 30 artists that were chosen for the the touring exhibition 'WOWB' or 'Who Owns Women's Bodies?'. "WOMB, a multi-media art exhibit was an experiment. When the invited artists were informed about WOMB's objective to provoke thinking and debate on women's reproductive health and rights, they voluntarily gathered to discuss women's issues as perceived by doctors, researchers and health workers who listened and worked closely with women. This exchange provided insight into how woman perceived her body, and how such perception affected her position in the home and the workplace, her relationships and her entire life. They also looked into how images of women in the contemporary visual arts or even poetry can strengthen or denigrate their being." - excerpt from curator's notes by Imelda Cajipe-Endaya. With foreword by Bienvenido Lumbera.
Please note that the first edition of the catalogue was published in 2001 during the touring period.
Please note that the first edition of the catalogue was published in 2001 during the touring period.
Access level
Onsite
author
Imelda CAJIPE-ENDAYA, 
Marilyn R. CANTA, 
John Joseph S. CORONEL, 
Flaudette May V. DATUIN, 
Sylvia ESTRADA-CLAUDIO, 
Patrick D. FLORES, 
Alice G. GUILLERMO, 
Corazon HILA, 
Ana P. LABRADOR, 
Eileen LEGASPI-RAMIREZ, 
Cecile LOCSIN-NAVA, 
Bienvenido LUMBERA, 
Karen OCAMPO FLORES, 
Palmy PE-TUDTUD, 
Karnjariya SUKRUNG, 
editor
Location code
EX.PHI.WOW
Language
English
Keyword
feminism,  painting,  installation,  multimedia art,  mixed media,  sculpture,  photography,  group exhibition
Publication/Creation date
2005
ISBN / ISSN
9719249811
No of copies
1
Content type
catalogue
Chapter headings
Who Owns Women's Bodies? Beyond an Exhibition
Women Against Patriarchy
Women and Men in Mutual Gaze: Curator's Notes
Salvador Alonday: Feet of Clay
Alfredo Juan and Isabel Gaudinez Aquilizan: Leaving/Living Home through Art
Agnes Arellano: Baring the Quandary of Barrenness
Genara Banzon: Nature as Paradox
Andres Barrioquinto: Distortion as Metonym
Imelda Cajipe-Endaya: Woman as Subject of History
Charlie Co: Mute Signposts on Wheels
Lena Cobangbang: Wysiwyg? (What You See is What You Get?): Not!
Cecil De Leon: Illness, Death and Healing
Alfredo Esquillo: Media Issues and Women's Concerns
Brenda V. Fajardo: The Babaylan through History
Roberto Feleo: Layered Meanings in Chance Encounters
Karen O. Flores: Creating New Icons about Ourselves
Geraldine Javier: Desire in Undesirable Times
Irma Lacorte: Odd or Subtract
Tita V. Lim: Tampering, Burning, Prevailing
Julie Lluch: Fire Within, Fear Without
Al Manrique: Caveats for a Shared Imagination
Jose Mendoza: The Silence of Steel
Alma Urduja Quinto: Stitching Lore to Bind Body and Spirit
Dan Raralio: Real Stakes in Surreal Form
Norberto Roldan: Faith Healing
Jose Tence Ruiz: Variations on a Theme of Inang Bayan
Katti Sta. Ana: Stylistic Passages, Skin-Deep Fetishes
Judy Freya Sibayan: Self-Healing, Rib-Poking
Cristina Taniguchi: Pricked but not Bleeding
Lia Tayag: EarthWindFireWaterWoman
Sandra Torrijos: Metamorphosing in Fields of Energy
Ann Wizer: Re-Membering our Bodies, Re-Connecting Ourselves
Body Talk
My WoWB Journey
Epilogue
Who Owns Women's Bodies? 2000-2004

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