The Collective School explores artist-driven and collective models of learning. Developed in collaboration with Gudskul, a Jakarta-based collective that runs a grassroots school for other collectives, this project asks: How do artists learn from their peers in a collective? What makes collectivity necessary for survival today? How do collectives remain adaptive and relevant to their respective contexts?

Hosted at AAA Library, The Collective School exhibition began with our invitation to Gudskul, who in turn invited eight collectives from across Asia. In the display, you will see their responses to archival materials from AAA Collections, developed together through group conversations over the past year.

Their works, which include videos, sculptures, games, and zines, respond to three collective endeavours: Xiamen Dada, a collective known for their radical performative actions critiquing the art system in China in the 1980s; Black Artists in Asia, a collective that initiated VIVA ExCon, the longest-running artist-run biennial in the Philippines in the 1990s; and Womanifesto, a feminist art collective and biennial programme in Thailand most active from the mid-1990s to mid-2000s.

The Collective School’s public programmes extend the questions raised in this exhibition. How does a school for collectives alter our understanding of art education models that tend to focus on individual improvement? In Hong Kong, where land and space are especially scarce, how do artists work collectively to share access to these resources?

As an archive, we continue to learn from artists to imagine new models for learning—in this case, learning through being together and bringing together individuals and collectives with shared values, such as generosity, resource sharing, and local anchoring. This is a continuation of the collaborations we started through documenta fifteen in Kassel, Germany—led by ruangrupa, one of the three collectives that constitute Gudskul—which build on our own understanding of archives as sites for knowledge-sharing and artistic production.

Participants:
ba-bau AIR (Hanoi), BiSCA (Bishkek), Gudskul (Jakarta), Load na Dito (Quezon City), Omnispace (Bandung), Pangrok Sulap (Sabah), Salikhain Kolektib (Quezon City), Scutoid Coop (Kaohsiung), and Yayasan Tonjo Foundation (Yogyakarta) 

Local partners: Floating Projects (Hong Kong) and Rooftop Institute (Hong Kong)

 

 

This project has been developed by Susanna Chung, Özge Ersoy, and Rebecca Tso, in close collaboration with Samira Bose, Noopur Desai, Sneha Ragavan, John Tain, Chương-Đài Võ, Congyang Xie, and Anthony Yung. Graphic design: MAJO.

The Collective School is generously supported by the Hong Kong Arts Development Council, as well as Wendy Lee & Stephen Li, and Virginia & Wellington Yee.


Supported by
 
                    

Hong Kong Arts Development Council fully supports freedom of artistic expression. The views and opinions expressed in this project do not represent the stand of the Council.

Relevant content

Womanifesto Archive
Womanifesto Archive
Collections

Womanifesto Archive

Xiamen Dada 廈門達達
Collections

Xiamen Dada 廈門達達

thumbnail
Gudskul Art Collective: Learning while Nongkrong, Nongkrong while Learning
LIKE A FEVER | Essays

Gudskul Art Collective: Learning while Nongkrong, Nongkrong while Learning

Angga Wijaya reflects on the Jakarta-based art collective’s belief in togetherness and experience-based pedagogy

AAA_Harvestingcrop (1)
A Concise Glossary for Art Collectives
LIKE A FEVER | Notes

A Concise Glossary for Art Collectives

Pat WingShan Wong (aka Flyingpig) illustrates some conflicts and challenges that shape the identity of art collectives

WhatsApp Image 2023-05-22 at 11.51.39
what strange weather for a promise
LIKE A FEVER | Essays

what strange weather for a promise

Yang Yeung writes about temperature, intimacy, and silence as contingent, but not arbitrary qualities of human interaction

AAA at documenta fifteen | Translations, Expansions
Programmes

AAA at documenta fifteen | Translations, Expansions

18 Jun–25 Sep 2022

Artist-led Models of Resource Sharing
Programmes

Artist-led Models of Resource Sharing

Tue, 19 Jul 2022, 7–9pm HKT

LL_Nov_600x500
Life Lessons #6: Kwasi Ohene-Ayeh & Zeyno Pekünlü | Working Collectively
Programmes | Life Lessons

Life Lessons #6: Kwasi Ohene-Ayeh & Zeyno Pekünlü | Working Collectively

Thu, 3 Dec 2020, 8–9pm HKT

Life Lessons #11: Noor Abed, Lara Khaldi, and Ahmet Ogut | School as Intervention
Programmes | Life Lessons

Life Lessons #11: Noor Abed, Lara Khaldi, and Ahmet Ogut | School as Intervention

Wed, 16 Mar 2022, 8–9:30pm HKT

Image: ruangrupa: Toko Pura-Pura for 15 Invitations, 26 Aug–30 Sep 2016. Courtesy of ruangrupa.
Ruangrupa | Toko Pura-pura
Programmes | 15 Invitations

Ruangrupa | Toko Pura-pura

Aug–Sep 2016

Also-Space, From Hot to Something else: how Indonesian Art Initiatives Have Reinvented Networking
Also-Space, From Hot to Something Else: How Indonesian Art Initiatives Have Reinvented Networking
Reference

Also-Space, From Hot to Something Else: How Indonesian Art Initiatives Have Reinvented Networking

Reinaart VANHOE
2016

Decompression #10: Expanding the Space and Public
Decompression #10: Expanding the Space and Public
Exhibition Catalogue

Decompression #10: Expanding the Space and Public

2010