'Circles and Circuits: Chinese Caribbean Art examines artistic production in Cuba, Trinidad, Jamaica, and Panama, where large immigrant populations and political, economic, and socio-cultural conditions enabled the development of rich art practices in the Chinese diasporic community. The volume touches on the dynamic interconnections between the Chinese diasporic art communities and intercontinental Caribbean art movements bringing into focus the intimate relationships between the artists and those around them, including those who influenced their work, from peers to mentors and family. Circles and Circuits: Chinese Caribbean Art ultimately explores how global migrations and the legacies of cultural, political, and economic power have shaped Chinese Caribbean art practices in the Caribbean and its diaspora.

This catalog accompanies the exhibition Circles and Circuits: Chinese Caribbean Art, presented in two parts: History and Art of the Chinese Caribbean Diaspora at the California African American Museum and Contemporary Chinese Caribbean Art at the Chinese American Museum.' - from the publisher

Access level

Onsite

Location code
EX.USA.CIC
Language

English

Publication/Creation date

2018

No of pages

230

ISBN / ISSN

9780998745107

No of copies

2

Content type

catalogue

Chapter headings

Introduction: Coolies, Shopkeepers, and Artists: A Historical Overview of Chinese Immigrants and Their Descendants in the Caribbean - Evelyn HU-DEHART

Circles and Circuits: Chinese Caribbean Art - Alexandra CHANG

A Historical Context for Chinese Migration - Walton Look LAI

Intersecting Trajectories: Chinese and Indian Artists in Trinidad in the Early Twentieth Century - Patricia MOHAMMED

Past - Present: Conversations with Maria Lau and Katarina Wong - Julia P. HERZBERG

Caribbean Art and Chinese Imaginaries - Sean METZGER

Diasporic Affect: Circulating Art, Producing Rationality - Lok SIU

Circles and Circuits: Chinese Caribbean Art
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Circles and Circuits: Chinese Caribbean Art