'The present collection was motivated by a number of events, but can largely be taken as the outcome of several years of discussion by members of the Hong Kong section of the International Association of Art Critics... While this collection contains but a handful of texts, it is significant that all of the writers have been engaged with the development of art in Hong Kong over a long period, in some cases for upwards of thirty years. As such, it is perhaps not surprising that several of the texts are reflective and retrospective, serving to see the present circumstances of Hong Kong as the consequence of processes that have occupied the past half century. Certainly, the most significant of these has been the winding down of the colonial administration and the new dynamics of being a separate system - and perhaps a separate identity or culture - within China.' - extracted from foreword by Eric Wear.
Onsite
Aser BUT, 畢子融, 
Gaylord CHAN, 陳餘生, 
Kurt CHAN, 陳育強, 
Luis CHAN, 陳福善, 
CHEUNG Nga Yin Lucia, 張雅燕, 
CHEUNG Yee, 張義, 
CHOU Lu Yun Irene, 周綠雲, 
CHUI Tze Hung, 徐子雄, 
HA Bik Chuen, 夏碧泉, 
HO Hing Kay Oscar, 何慶基, 
HO Siu Kee, 何兆基, 
HON Chi-fun, 韓志勳, 
KUM Chi Keung, 甘志強, 
Holly LEE, 黃楚喬, 
LEUNG Kui Ting, 梁巨廷, 
LIU Yuyi, 劉宇一, 
LUI Shou-kwan, 呂壽琨, 
NG Yiu Chung, 吳耀忠, 
PAN Xinglei, 潘星磊, 
POON Manlock, 潘玟諾, 
SZE Yuen, 施遠, 
TONG King Sum, 唐景森, 
TSANG Tak Ping Kith, 曾德平, 
VAN Lau, 文樓, 
WONG Shun Kit, 王純杰, 
Wucius WONG, 王無邪, 
Chinese - Traditional, 
English
art criticism,  Hong Kong
1999
110
2
anthology, 
review
Making Art in the Shadow of the Future: Hong Kong Artists and the 1997 Transfer of Sovereignty - David CLARKE, 祈大衛
The Unique Vision of Luis Chan - Hilary BINKS
Inventing History - HO Hing Kay Oscar, 何慶基
Hong Kong: The Development of Modern Art - Nigel CAMERON, 金馬倫
The Intracable Problems in Hong Kong Contemporary Visual Arts - TSANG Tak Ping Kith, 曾德平
No Place is Home: Outmanoeuvring Cultural/Racial Identity in Hong Kong - Eric Otto WEAR, 華立強
The Inverted Laboratory of Ho Siu-kee - CHANG Tsongzung Johnson, 張頌仁
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