This article is a detailed study on the contemporary art scene in China in the early 1990s, with conversations with some of the leading experimental artists living in Beijing and the curator Li Xianting. A brief history of the development of art in China from the late 1970s to early 1990s is provided, with mention of the Yuanmingyuan artist village. The influence and impact of exhibitions of Western art, such as those featuring Robert Rauschenberg and Gilbert and George in 1993, are discussed.
Onsite
FANG Lijun, 方力鈞, 
FENG Mengbo, 馮夢波, 
GENG Jianyi, 耿建翌, 
GU Dexin, 顧德新, 
GU Wenda, 谷文達, 
LI Xianting, 栗憲庭, 
LIU Wei, 劉煒, 
NI Haifeng, 倪海峰, 
WANG Guangyi, 王廣義, 
WANG Luyan, 王魯炎, 
Xin Kedu, 新刻度小組, 
YAN Zhengxue, 嚴正學, 
YANG Yiping, 楊益平, 
YU Youhan, 余友涵, 
ZHANG Peili, 張培力, 
English
Cynical Realism,  Political Pop,  avant-garde,  China
19 Dec 1993
The New York Times Magazine, 19 Dec 1993, Section 6, pp. 42–51, 66, 70-72
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