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Four Theses on Taiwanese Art:: Barbarianism/ Civilisation · Nature/ Culture · Recognition/ Difference · Pureness/ Hybridity, 臺灣美術四論：蠻荒／文明 ‧ 自然／文化 ‧ 認同／差異 ‧ 純粹／混雜

This book is a collection of essays by Taiwanese scholar Liao Hsientien who uses four pairs of theses, namely 'Barbarianism/ Civilisation', 'Nature/ Culture', 'Recognition/ Difference', and 'Pureness/ Hybridity', to analyse the development of Taiwanese modern art. Bibliography included. 
Title type

Translated

Alternative title

Tai wan mei shu si lun man huang wen ming zi ran wen hua ren tong cha yi chun cui hun za

Access level

Onsite

author

LIAO Hsientien, 廖新田

publisher

Art & Collection Group Publishing Ltd., 典藏藝術家庭股份有限公司 (Taipei, Taiwan)

Location code
REF.LHT
Language

Chinese - Traditional

Keyword

art history,  art criticism,  Taiwan

Publication/Creation date

2008

No of pages

198

ISBN / ISSN

9789866833403

No of copies

1

Content type

monograph

Chapter headings

緒論　臺灣美術研究與視覺文化研究的交會處

第一章　蠻荒／文明

蠻荒之美：殖民臺灣風景畫中的探險與旅行

第二章　自然／文化

從自然的臺灣到文化的臺灣：日據時代臺灣風景圖像的文化表徽探釋

第三章　認同／差異

美學與差異：朱銘與1970年代的鄉土主義

第四章　純粹／混雜

近鄉情怯：臺灣近現代視覺藝術發展中本土意識的三種面貌

結論　符號分析、意義詮釋與閱讀策略

日據時代臺灣美術研究的思考

(Four Theses on Taiwanese Art:: Barbarianism/ Civilisation · Nature/ Culture · Recognition/ Differen
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This item is covered by one or more copyrights. It is available for research only or use within Hong Kong’s fair dealing rules. Please do not copy, re-use or reproduce this item without the permission of the copyright holder.

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Art Writing

Four Theses on Taiwanese Art:: Barbarianism/ Civilisation · Nature/ Culture · Recognition/ Difference · Pureness/ Hybridity, 臺灣美術四論：蠻荒／文明 ‧ 自然／文化 ‧ 認同／差異 ‧ 純粹／混雜

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