Being Political Popular: South Korean Art at the Intersection of Popular Culture and Democracy, 1980-2010
2012
Gwangju Biennale 2012: Workstation 1 | Self-Organisation as Ethic
2012광주비엔날레: 워크스테이션1 | 윤리로서의 자기조직화
2012
Continuity and Intensity: 2008-2010, 58 Participants and Contemporary Art in Korea
연속과 강도: 2008-2010, 58인의 참여와 한국현대미술
2010
Flash Art (No. 255; Jul/Sep 2007)
Sonia CAMPAGNOLA , Akiko ICHIKAWA, 市川暁子 , KIM Seungduk, 김승덕 , Satoru NAGOYA , Eugene TAN, 陳維德 , Aurelie VOLTZ , Andrea WIARDA
2007
Not Only Possible, But Also Necessary: Optimism in the Age of Global War: 10th International Istanbul Biennial
Serhan ADA , Ovul DURMUSOGLU , Mine EDER , Okwui ENWEZOR , Ceren ERDEM , Marcus GRAF , HOU Hanru, 侯瀚如 , HSU Manray, 徐文瑞 , Borga KANTURK , Pelin TAN , Bülent TANJU , Pelin URAN , What, How & for Whom , Adnan YILDIZ
2007
Your Bright Future: 12 Contemporary Artists from Korea
Joan KEE, 奇廷泫 , Christine STARKMAN , Lynn ZELEVANSKY
2009