Co-presented by Asia Art Archive (Hong Kong), AWARE: Archives of Women Artists, Research, and Exhibitions (Paris), and Indonesian Visual Art Archive (Yogyakarta), this programme brings together a group of leading scholars and curators to highlight recent scholarship on gender diversity in art histories in Southeast Asia.
Hosted at the Indonesian Visual Art Archive, the programme features three panels exploring issues of gender in art history. Inspired by the poem “A Woman's Portrait 1938” by Indonesian poet Toeti Heraty (1933–2021), the title The Flow of History evokes the vital work of memory in archiving precarious histories. The panels raise transversal historical questions about gender in the biographies and practices of women and femme-identified artists in Southeast Asia, while remaining attuned to the region’s diversity and its particular sociopolitical dynamics through pivotal periods such as decolonisation.
The first panel focuses on research, curatorial, and artistic strategies that extend beyond an understanding of gender-centric exhibitions and publications as “recovery projects.” The second panel reflects on ethical and political considerations in the documentation of women and queer artists’ lived experiences, while the third panel investigates how women artists have navigated transcultural exchange and how their methods offer potential for emancipation.
Speakers include members of the advisory committee for The Flow of History: Southeast Asian Women Artists, a three-year joint research initiative co-presented by AAA and AWARE, and researchers and curators from Indonesia-based initiatives such as Kelas Liarsip and Queer Indonesia Archive.
Free and open to the public.
Programme
10–10:30am | Welcome and Introductions to Indonesian Visual Art Archive, Asia Art Archive, and AWARE
Speakers
Riksa Afiaty, IVAA
Özge Ersoy, AAA
Karla Segura Pantoja, AWARE
Nina Volz, AWARE
10:30am–12nn | Panel | Artists-Organisers: Conditioning Art and its Narratives
This panel explores critiques of gender-focused exhibitions and publications as “recovery projects” driven by compensatory impulses. It examines the role of women artists in shaping art narratives in Southeast Asia, with particular emphasis on the contributions of women artist-organisers in collectives, archives, and knowledge exchange platforms. The discussion underscores the importance of situating the study of individual artworks and artists within broader contexts of gender visibility and representation in art history.
Speakers
Eileen Legaspi-Ramirez (Associate Professor, Department of Art Studies, University of the Philippines Diliman)
Yvonne Low (Lecturer, Discipline of Art History and Museum Studies, University of Sydney)
Grace Samboh (Researcher and Curator, Member of Hyphen—)
Moderator
Özge Ersoy (Senior Curator, Asia Art Archive)
1–2:30pm | Panel | Documenting and Archiving Lived Experiences
This panel delves into the conversations and inquiries around the recording of lived experiences, emphasising the importance of accountability and accessibility in archival methods. Key questions include: How do we document embodied experiences? What methods should we use in collecting? Who should be represented, and what content is essential? How do we ensure accountability as archivists? Additionally, how should we share these archives? Drawing on community-based practices and various case studies, this discussion addresses critical questions regarding the ethical and political considerations inherent in the relationship between archives and the lived experiences of women and queer artists and filmmakers.
Speakers
Karina (Program Officer & Community Archivist, Queer Indonesia Archive)
Umi Lestari (Writer and Curator, Member of Kelas Liarsip)
Julita Pratiwi (Film Researcher and Scholar, Member of Kelas Liarsip)
Wong Binghao (Writer, Editor, and Curator)
Moderator
Putu Sridiniari (Researcher, Indonesian Visual Art Archive)
3–4:30pm | Panel | Transcultural Encounters: Women Artists beyond Borders
This panel explores international and transcultural dimensions in the works and trajectories of Southeast Asian women and non-binary artists, examining diverse perspectives on cultural encounters. Drawing from different periods and sociopolitical contexts, the panel investigates how these artists have navigated between the local and the global to challenge their social roles and overcome gender-specific boundaries. Considering the impact of transcultural interactions on the subject positions of these artists, the panel also examines the potential for emancipation that transnational encounters represent for women artists.
Speakers
Sarena Abdullah (Associate Professor of Art History at the School of Arts, Universiti Sains Malaysia)
Pamela Nguyen Corey (Associate Professor of Art History, Faculty of Art & Media Studies, Fulbright University Vietnam)
Alia Swastika (Director, Biennale Jogja Foundation; Curator and Researcher)
Moderators
Nina Volz (Head of International Development, AWARE) and Karla Segura Pantoja (Editorial Coordinator, AWARE)