A Hybrid of Nativism, Nationalism and Modernism, 鄉土 民族 現代的混合體
Biographical writing in which Mui recounts his experience of becoming of artist, including his fleeing from Guangzhou despite being enrolled in the Academy of Fine Arts, and becoming a craftsman in Hong Kong's film industry in 1960s. He also writes about the impact of traveling to UK and France on his artistic practice in 1970s.
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