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"In red words, language no longer just encounter people..."

”在紅字中,言語不再總是和人相遇......”
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"Nirvana represents my profound experience of the real world..."

「《涅槃》表現了我對現實世界的深刻體驗......」
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"Self-expression" from the Perspective of Regularity in Fine Arts

從造型藝術的規定性談「自我表現」
1982
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"Zhejiang Academy Phenomenon": A Tradition of Anti-Orthodox

「浙美現象」:反正統的傳統
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'Self-expression' Should Not be Seen as the Essence of the Art of Painting

自我表現不應視為繪畫的本質
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A Prose Verse by Jie Me

畫框續列的辣話
1 Oct 1988
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A Rational World in Sensational Forms — Apocalypse of New Wave Art

感性形式裡的理性世界 — 新潮美術啓示錄
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A Study of Asethetic Experience in Daily Utensils by Observing Primitive Pottery

從原始陶器看日用生活器具方面審美關係的發生
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A View of Contemporary Painting from the Other Side of the Shore

當代畫壇隔岸觀
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Alkali


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An Analysis of the Formation of Meng Changming's Painting Language (manuscript)

眾裡尋他千百度 — 孟昌明繪畫語言的形成透視(手稿)
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An appraisal of a painting by Xu Beihong

關於徐悲鴻的一幅油畫的鋻定
4 Dec 2002
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Art as Culture

作為文化的美術
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Art from the Perspective of Philosophical Ontology (Part 1)

哲學本體論的藝術觀(上)
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Art from the Perspective of Philosophical Ontology (Part 2)

哲學本體論的藝術觀(上)
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Art in Culture War and the Big and Small Self

文化戰爭中的藝術和大小自我
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Artist and "God"

藝術家與”上帝”
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Artwork ≦ Commodity

藝術品 ≦ 商品
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Avant-garde Art in China

前衛藝術在中國
10 Feb 1989
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Avant-garde Art, An Unreserved Revolution (manuscript)

前衛藝術,痛痛快快的革命(手稿)