This interview was conducted at Nanjing Arts Institute on 5 March 2009.
Biography:
Gu Chengfeng is a Chinese art critic and editor.
Gu obtained his M.A. in Art History from the Chinese National Academy of Arts in 1988 and went on to become an editor of Jiangsu Pictorial (Jiangsu huakan).
Some of his recent publications include Being Lured (Ganshou youhuo) (1999), Chinese Conceptual Art (2002) and Installation Art (Zhuangzhi yishu), co-published with He Wanli (2003). Gu is also editor of a book series called Zhongguo yishu shizuo biaoxilie congshu about the history of Chinese art (2006).
簡歷︰
顧丞峰,1957年出生于遼寧 ,藝術批評家。1988年獲中國藝術研究院研究生部美術史碩士學位,八十年代末任《江蘇畫刊》編輯。
近年的著作包括《感受誘惑》(重慶:重慶出版社,1999年)、《觀念藝術的中國方式:觀念與中國當代架上藝術》(長沙:湖南美術出版社,2002年)、《裝置藝術》(與賀萬裡合著,長沙:湖南美術出版社,2003年),並及主編《中國藝術史座標系列叢書》(長春:吉林美術出版社,2006年)。
In 2006, Asia Art Archive began a focused archiving project called 'Materials of the Future: Documenting Contemporary Chinese Art from 1980-1990'. This project aimed at developing a comprehensive collection of primary research materials including books, periodicals, newspapers, exhibition brochures, invitations, video recordings, correspondence, and other relevant documents.
As part of this project, AAA digitised more than 80,000 items of material from personal archives to include artists Mao Xuhui, Wu Shanzhuan, Zhang Xiaogang, and Zhang Peili; curators and critics Fei Dawei, Lu Peng, and Zheng Shengtian; as well as the archives of Tokyo Art Gallery. As part of the research process over 75 in-depth interviews with key artists, curators, and critics were conducted. From a portion of these interviews, AAA created a documentary film about experimental art in South China (Guangzhou) in the 1980s entitled From Jean-Paul Sartre to Teresa Teng: Contemporary Cantonese Art in the 1980s.
AAA’s 1980s archiving project culminated with the launch of a comprehensive website portal called www.china1980s.org in September 2010.
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Interview with Gu Chengfeng (Transcript, Simplified Chinese), 訪問:顧承峰(抄本, 簡體中文)
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