This catalogue was published in conjunction with the exhibition under the same title held at the Getty Research Institute from March to June 2007. The exhibition showcased a selection of original and documentary works of Japanese post-war avant-garde art from the collection of the Research Library at the Getty Research Institute. These works were produced from 1950 to 1970, a period during which a progressive group of Japanese artists refocused their energies, using new forms of media and intermedia collaboration as a conceptual foundation for experimentation. Glossary, artist biography and bibliography are included in the catalogue.

Access level

Onsite

Location code EX.USA.AAN
Language

English

Publication/Creation date

2007

No of pages

144

ISBN / ISSN

9780892368662

No of copies

2

Content type

catalogue

Chapter headings
Disjunctive Modernity: The Practice of Artistic Experimentation in Postwar Japan

- Charles MEREWETHER

Geijutsu On Their Minds: Memorable Words on Anti-Art

- Reiko TOMII, 富井玲子

Art, Anti-Art, Non-Art: Experimentations in the Public Sphere in Postwar Japan 1950-1970
分享
引用
Rights statements

In Copyright

What does this mean?

This item is covered by one or more copyrights. It is available for research only or use within Hong Kong’s fair dealing rules. Please do not copy, re-use or reproduce this item without the permission of the copyright holder.

標籤

Art, Anti-Art, Non-Art: Experimentations in the Public Sphere in Postwar Japan 1950-1970

相關內容

Shortlist | Japan
Shortlist | Japan
藝文 | Collection Spotlight

Shortlist | Japan

Recommended readings on Japanese contemporary art