'In "Art Power", Groys examines modern and contemporary art according to its ideological function. [...] Arguing for the inclusion of politically motivated art in contemporary art discourse, Groys considers art produced under totalitarianism, Socialism, and post-Communism. He also considers today's mainstream Western art — which he finds behaving more and more according the norms of ideological propaganda: produced and exhibited for the masses at international exhibitions, biennials, and festivals.' - excerpt from front flap
Access level

Onsite

author
Location code
REF.GRB2
Language

English

Publication/Creation date

2008

No of pages

189

ISBN / ISSN

9780262072922

No of copies

1

Content type

monograph

Chapter headings

The Logic of Equal Aesthetic Rights

On the New

On the Curatorship

Art in the Age of Biopolitics: From Artwork to Art Documentation

Iconoclasm as an Artistic Device: Iconoclastic Strategies in Film

From Image to Image File - and Back: Art in the Age of Digitalization

Multiple Authorship

The City in the Age of Touristic Reproduction

Critical Reflections

Art at War

The Hero's Body: Adolf Hitler's Art Theory

Educating the Masses: Socialist Realist Art

Beyond Diversity: Cultural Studies and Its Post-Communist Other

Privatizations, or Artificial Paradises of Post-Communism

Europe and Its Others

Art Power
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In Copyright

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This item is covered by one or more copyrights. It is available for research only or use within Hong Kong’s fair dealing rules. Please do not copy, re-use or reproduce this item without the permission of the copyright holder.

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Art Power

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