Foreword | Philip Tinari, director, UCCA

As Seen 2 | Introduction

Heman Chong | A Stack

Pak Sheung Chuen | The Horizon Placed At Home

Luo Dan | Simple Song

Li Ran | Mont Sainte-Victoire (and other points of reference)

Chen Zhen| Same Bed, Different Dreams

 

Gu Dexin | Important is not the Meat

Huang Ran | Disruptive Desires, Tranquility, and the Loss of Lucidity

Liao Guohe | Popular Painting

 

Zhang Hui | Groundless 

Xie Fan | The Layers

 

Wang Du | Contemporary Art Museum of China

Xu Bing | Book from the Ground

Irrelevant Commission | Why We Do Useless Things? and Unrelated Parades

Ma Ke | Life Most Intense

Jiang Zhi | If This Is A Man / 5

Yang Fudong | Close to the Sea / Revival of the Snake

Jian Xiaochun | 7

Li Shurui | The Shelter / A Wall

Zhang Ding | Buddha Jumps over the Wall

Hu Xiangqian | Protagonise

Wang Sishun | Liminal Space

Hai Bo | Solo

Zhou Tao | Collector

Pei Li | Generation P

Li Dafang | Throw-back: Jin Zhang's Mess Growth, His Language and His Relatives

Wang Wei | A Wall on the Wall — A Floor on the Floor

 

Geng Jianyi | Wu Zhi

Chen Wei | A Forgettable Song / Xian City

Li Songsong | The One

Hu Yun | The Secret Garden / Reeve's Pheasant

Zheng Guogu | Spirits Linger with Dust

 

Liu Wei | By Order of the Artist: No Title Necessary

Utopia Group | Truge: Geography of Utopia Group

Zhou Yilun | Our House by the Seashore

Hu Xiaoyuan | No Fruit at the Root

Cao Fei | Secret Tales from the Museum

Index of Exhibitions

Acknowledgements