Exhibition catalogue published to accompany the exhibition Blooming in the Shadows: Unofficial Chinese Art, 1974-1985, at the China Institute Gallery, New York from September to December 2011.
'In the last decade, contemporary Chinese art has taken the art world by storm through heralded museum exhibitions, well-read publications, and heavily attended art auctions. However, despite all this attention, few exhibitions have asked the question of how—against the background of thirty-five years of Socialist Realism—this internationally-oriented artwork appeared and why it captured the attention of the international art market. Blooming in the Shadows: Unofficial Chinese Art, 1974-1985 will introduce the work of three unofficial Chinese art groups who worked in this vein: the Wuming (No Names), the Xingxing (Stars), and the Caocao (Grass Society)—all of which arose following the end of the Cultural Revolution and helped launch the avant-garde movement in China. These artists pursued creatively diverse paths to personal artistic freedom under the harsh political circumstances of the time. This exhibition catalogue will examine work produced by these three significant groups of young artists in the critical decade after the end of the Cultural Revolution leading up to the Communist party’s 1985 decision to allow modern artistic practices.' - from book flap.
Includes a chronology of major art and political events of China from 1949 to 2006. With bibliography.
'In the last decade, contemporary Chinese art has taken the art world by storm through heralded museum exhibitions, well-read publications, and heavily attended art auctions. However, despite all this attention, few exhibitions have asked the question of how—against the background of thirty-five years of Socialist Realism—this internationally-oriented artwork appeared and why it captured the attention of the international art market. Blooming in the Shadows: Unofficial Chinese Art, 1974-1985 will introduce the work of three unofficial Chinese art groups who worked in this vein: the Wuming (No Names), the Xingxing (Stars), and the Caocao (Grass Society)—all of which arose following the end of the Cultural Revolution and helped launch the avant-garde movement in China. These artists pursued creatively diverse paths to personal artistic freedom under the harsh political circumstances of the time. This exhibition catalogue will examine work produced by these three significant groups of young artists in the critical decade after the end of the Cultural Revolution leading up to the Communist party’s 1985 decision to allow modern artistic practices.' - from book flap.
Includes a chronology of major art and political events of China from 1949 to 2006. With bibliography.
Access level
Onsite
author
editor
Location code
EX.USA.BLS
Language
English
Keywords
group exhibition,  oil painting,  printmaking,  ink painting,  sculpture,  mixed media,  China
Publication/Creation date
2011
No of pages
137
ISBN / ISSN
9780977405473
No of copies
2
Content type
catalogue
Chapter headings
A Time of Trouble, A Time of Hope
Art Underground: The Wuming (No Name), 1972-1982
Art on the Fence: The Xingxing (Star-Star) Group
Outsider Art in Shanghai: The Caocao She (Grass Society)
Blooming in the Shadows: Unofficial Chinese Art, 1974-1985

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